At a recent meeting of my critique group, it was brought to my attention that something should happen at an earlier point in the narrative. I sort of knew that already, so didn’t need to go through all five Stages of Receiving Critique (denial, argument, brooding, grudging acceptance, rewriting). I jumped right to rewriting. And swearing and hair-tearing.
Rewriting a completed scene, especially one that’s mostly dialogue, is HARD, even when you want to. It’s got that finished look, prettied up, polished and (you thought) perfect. And even when you have to admit it isn’t perfect, taking it apart and remaking it is a painful process.
In this scene, the characters do things and say things. There’s an internal logic to the sequence of actions. The last words spoken by one character cue the first words of the other. Yanking globs of text from one spot and moving them to…
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